Fortissimo ii vista
Contact us for this product. Drivers SoundCard Fortissimmo 2. Windows Vista - Windows XP. Registry Cleaner utility for Crystal based soundcard. After installing the latest drivers, I get an error message trying to run Virtual Ear.
Can I use my soundcard in a Dual Processor computer? How can I verify that the Fortissimo II card has been installed correctly on my computer? I am having problem using my soundcard with my Nforce-based motherboard. I only get sound in stereo from the optical output. I'm using the digital output of the card, and some of the card's Control panel functionalities do not work. It is used in traditional Middle Eastern folk music, and Brahem can play it like a man possessed.
Proof positive that you never know what you may discover out there! Although classified as jazz, I consider this music much more as traditional world music placed in a jazz setting. Here was this really simple system, consisting of a relatively unknown professional DAC, the Auris Fortissimo amplifier, and the ATC monitors, just blowing me away.
I felt the sound was really starting to gel, with the system suddenly transforming into an entity that was greater than the sum of its simple parts. The tonal character of the oud was both sweet and pungent, depending on how Brahem wished it to be portrayed. Here, the Fortissimo placed the full body of the instrument on display before me, as if sonic nectar from above. Something special was afoot here indeed. I felt like I was suddenly getting the very best out of the ATC speakers, which had somehow eluded me before.
By comparison, the Bakoon is solid state and only puts out 50 watts per channel. It is, however, a superb amplifier and quite elegant in its own right. While I remain thrilled and highly impressed by how well the Bakoon Amp 41 couples sonically with the ATC monitors, it was bested in several respects by the larger, more powerful Auris Fortissimo. First off, the Auris amplifier brings sheer grunt to the table, controlling the SCMs in the lower frequencies like a true champ.
Via the Bakoon, the bass was very well defined, but thin. The Fortissimo, in contrast, grabbed those woofers and dug deep. Bass control was iron-fisted, yet tonally organic and not overly damped. The other area in which the Auris Fortissimo really strutted its stuff was in its ability to cast a lovely glow on the midrange while placing just enough harmonic flesh on the bones of the music to liven up the sound of the ATC speakers. Ultimately, I think that these minute, but important differences in tonal structure boil down to those last vestigial differences between solid state and vacuum tube amplifier design and character.
Bass was deep and fulsome, with superb control via both amps: a real toss-up. The big Pass Labs amp boasts a wonderfully full and expressive midrange in its own right. However, I sensed a bit more lively and inwardly-lit effect via the Auris amp.
Perhaps those vacuum tubes doing their thing? Listening to recorded cello really highlighted the differences. In the Vivaldi album mentioned above, the Auris Fortissimo really let me hear into the complex sonorities of the bowed cello.
While listening, I was drawn into the vibrations of the strings in resonance with a real, wooden, vibrating, varnished soundboard. When Jason Tavares, proprietor of Adirondack Audio and Video presently the sole distributor and dealer of Auris Audio products in the US contacted me to pick up the amp, I was a bit crestfallen. Jason needed the Fortissimo back so he could prepare for its demonstration at the upcoming Rocky Mountain Audio Fest.
I understand, but I can still be a bit bummed. I had other deadlines to meet in the short time the Fortissimo was here, but I really wished I had spent more time with it. The Auris Fortissimo is a lovely amplifier. I thoroughly enjoyed my time with it, and if you are in the market for such a product in the price range, I reckon you might enjoy it too.
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