Lustspiel overture program note

In consultation with a panel of four adjudicators,2 he set down a few simple rules: manuscripts were to be submitted under a nom de plume; closing date was 15 September; the results would be announced on 15 November; the best three plays would be staged at the Volkstheater, and their authors rewarded with moderate cash prizes;3 the winners would remain unnamed until their plays had been performed.

Entries poured in, not only from German-speaking countries but also from Russia, Romania, America and even Australia. At their final meeting, which had to be postponed until 13 December, it was agreed to award all three prizes and single out three further plays for honourable mention.

In style and content the play was unashamedly conservative and fervently patriotic. Despite reservations on the part of Bukovics,6 it went into rehearsal and was given for the first time on 12 March By now, it was observed, the hapless author had long since left the theatre.

Four years later, he was appointed Curator of the Imperial Art Gallery, a post he held until his retirement in A disciple of Franz Grillparzer, he had made his name in theatre with four tragedies, two of which had been staged with modest success in Vienna at the Hofburgtheater. His aim is to take a closer look at Gertraud [heir-apparent to the Duchy of Austria]. The girl falls for the handsome knight and appeals to Ofterdingen, who has acquired a magic ring, to help them reconcile romance with responsibility.

The miracle is achieved in the last act, when the Margrave appears undisguised. Apart from that, nothing happens. Saw it. Further cuts were made, and public response to later performances was enthusiastic. Neue Freie Presse Nr. Bukovics had insisted on cuts and other structural improvements, cf. Wiener Zeitung Nr. Alexandra Millner in Kakanien Revisited, Prager Tagblatt Nr. In , the Austrian Ministry of Education inaugurated a scheme of grants for young artists in the fields of literature, visual arts and music.

Responsibility for the musical sector was entrusted to Eduard Hanslick, in collaboration with two referees. Initially these were the violinist Heinrich Esser and the conductor Johann von Herbeck; later their places were taken by Johannes Brahms and Karl Goldmark.

Permit me in all brevity to mention that in my opinion three volumes of piano pieces and a concerto by V. Actually I would recommend only these two; but should you wish for a third nominee perhaps with a lesser sum of money , I could suggest Sp.

But let us settle for just these two! Writing in , Zemlinsky recalls the occasion on which he was summoned for such a session. The object of discussion was his String Quintet in D minor, a large-scale composition in a progressive style, composed immediately after the Comedy Overture.

His ruthless criticism reduced me to a state of utter despair, but soon he revived my faltering spirits, enquired about my material needs and offered me a monthly grant which would enable me to reduce my teaching schedule and spend more time on composition. Also the chronology is a little vague.

According to Zemlinsky, the meeting with Brahms was motivated by a performance of the Quintet by the celebrated Hellmesberger Quartet. A more plausible sequence of events would be:. But he is dissatisfied with the Quintet, and invites Zemlinsky to discuss it with him. At their meeting, he points to structural weakness and urges Zemlinsky to discard the finale altogether. Once again, Brahms and Hanslick signalled their approval, and the grant was extended. In , he borrowed the principal theme, transposed into A major and furnished with a walking bass, for his mime-drama Ein Lichtstrahl.

The following year, Zemlinsky revised the score for a cabaret theatre in Dresden. Read more. Dec 10, PST. Seller's other items. Sell one like this. Related sponsored items.

Showing Slide 1 of 2. Seller Similar sponsored items. Seller assumes all responsibility for this listing. Item specifics. Very Good:. Seller Notes:. Case and disc s is in great condition with no significant scratches or marks. Includes original artwork and liner notes when applicable. Case Condition:. Very Good VG. CD Grading:. Naxos Javascript not enabled. Work Title Lustspiel-Ouverture Alt ernative.

Siegel Composer Time Period Comp. Overtures ; For orchestra ; Scores featuring the orchestra ; For orchestra arr ; For guitar, 2 mandolins, mandola, mandocello, double bass arr ; Scores featuring the guitar arr ; Scores featuring the mandolin arr ; Scores featuring the mandola arr ; Scores featuring the mandocello arr ; Scores featuring the double bass arr ; For 6 players arr ; For 2 pianos 8 hands arr ; Scores featuring the piano arr ; For 4 players arr ; For violin, piano arr ; For 2 players arr ; Scores featuring the violin arr ; For piano 4 hands arr ; Scores featuring the piano 4 hands arr ; For piano arr ; For 1 player arr.

Contents 1 Performances 1. Editor First edition. Leipzig: C. Siegel , n. Plate